Yampa Path / Sherburn LaBelle
Yampa Path / Sherburn LaBelle
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~ Studio Archive ~ Inventory and Provenance

This ABOUT ME page moves away from the traditional artist CV. 

Instead traces a working chronology through studios, environments, and lived periods. 

The studio spaces become the structure through which sculpture, ideas, friends, family, and artistic practice evolve, each carrying its own story. 


Long before formal training, the need for a room of one’s own had already begun. When I had children, I was determined not to become one of those women artists who stopped making art. 

Curiously, it was my children who gave me the day-to-day structure I needed to continue working. 

They kept me grounded.


This archive is deliberately not about career advancement. It is about continuity of making across changing conditions.

Inventory and Provenance

Sherburn LaBelle visiting a sculptor friend in Cambodia,  2024


And So It Began 1972-76 Apprenticeship, NESA Foundation Program 
Cambridge/Boston, Massachusetts

Some artistic paths begin more with closed doors than apprenticeships.


Continue reading...


~~Room of My Own
~~ 1982–1987 Conklin Ave Binghamton, New York ·

During the SUNY Binghamton years, sculpture, drawing, music, and family life occupied the same small rooms. Because my son practiced violin in the middle of the studio, I would drew him.


Link to more stories coming soon...

1988 Precision Sharpening My Dad's Shop. 
Plymouth, New Hampshire ·

The Precision Sharpening Shop became another temporary workspace. My daughter covered her ears when the grinder started while my son waited by the door.


Late 1980s. The Barn Studio
 Rumney, New Hampshire

Winter work continued in a partially heated barn studio where larger figurative sculptures first began to emerge.

1990 Ford Street Studio Alameda, California

The Alameda years moved between a industrial space, teaching, and abstract assembled figurative work with pastel drawings on old window-shades. Finished works often migrated back home when the studio became too crowded.


1995-98 Boat Yard Studios
 Alameda Marina, California

Finding the marina space in Alameda at the Boat-Yard gave me the ability to work larger than life.

Fort Bidwell's High Desert Studios

 2010–2019 ~Water St Studio~

2019-present ~Yampa Path~

Fort Bidwell's high desert location develops a conversation with material, open space, seasonal light for a new kind of sculptural energy.

Fairfax Studio 1999-2026

The Fairfax studio became a long-term working environment where sculpture, drawing, found materials, and open studio conversations accumulated over decades.

Narrative Bio

Narrative Bio

The view from my yampapath studio window. Photo-painting I did of a rainbow.



Continue reading...


  • ~Home
  • Sculpture Gallery
  • Gallery of Assemblages
  • 2D Gallery
  • Writing
  • Studio Archive
  • Cultural Engagement
  • ~Contact

Yampa Path / Sherburn LaBelle

Contact me via my contact page.  


All Photographs and written material are Copyright © 2026 

Yampa Path / Sherburn LaBelle - All Rights Reserved. 

Please ask me for permission to use them. 

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