"Artists are not commodities. Who we are, along with the intrinsic value of what we make, is not for sale. You might "buy" a work of art but you don't own it, no more than you can own the wind. What you buy is a custodianship that celebrates “triumph“ to our way of life. You have become a guardian of culture. Don’t take it lightly. A work of art provides a profound connection to ourselves. It also gives a context for understanding our past. This connection & context is part of what some anthropologists call, the affecting presence. I believe it’s this visceral value that carries on preserving culture in ways we can’t know.” Sherburn LaBelle ©️
Brenda Sherburn LaBelle
Sculpture, Assemblages & Drawings
I grew up in a small town in central New Hampshire. Bounced around the country from Maine, to Boston, to New York, to Philly, to Cincinnati...I now live in Northern California.
EDUCATION
1990 BFA Degree / University of Cincinnati, School of Design, Architecture, Art & Planning
1983
Brenda Sherburn LaBelle
Sculpture, Assemblages & Drawings
I grew up in a small town in central New Hampshire. Bounced around the country from Maine, to Boston, to New York, to Philly, to Cincinnati...I now live in Northern California.
EDUCATION
1990 BFA Degree / University of Cincinnati, School of Design, Architecture, Art & Planning
1983-1987 SUNY- Binghamton. Completed “Bronze Foundry Program
1972-1976 Apprenticed with British Sculptor, Master Hugh (Hew) Gerald Robert Binning, (“Robin”), Cambridge, Massachusetts.
1972–1975 New England School of Art & Design, Boston. “Foundation Program”
SELECTED SOLO & GROUP SHOWS
Presently: By appointment only. offering open studio. Contact me via website.
Arnot Art Museum, “Featured Artist: Brenda Sherburn-Zimmer (LaBelle) Sculpture“ Spring & Summer, 1987. Elmira, New York
“Art In The Shadows: Sherburn-Zimmer (LaBelle)” 1987. Alternative Place For Showing Art (Conklin Avenue), Binghamton, NY
“Cashew Festival”, Crocked Tree, 2001. Belize
“Birdology: Art Works by Brenda Sherburn LaBelle with Book Reading” / Riley's Art Supplies / Art Exhibits, 2011. San Rafael, CA
“Wall For Peace”, W-AFPIAAP International Art For World Peace, 2013 / New Delhi, Alwar, Calcutta, Mumbai, India / İstanbul, Turkey
Open Studios, Selected Works, 2016-2019. Marin, CA
"California Ceramic Artists”, 2011, 2012 . Sacramento, CA
“Outsider's Art, PAIRS - Disabledd Artists with their Teachers Annual” 1993-95 / Creative Growth Art Center, Oakland, CA.
Ford & 29th Street Art Studio / Open Exhibits, 1993
“Frail Elder Center For Alzheimer” 1992 & 1993 . Oakland, CA.
“Women’s Art Exhibit” Ebert Gallery, 1992. San Francisco, CA.
“Sculpture Expo” California State Fair, 1992. Sacramento, CA. (Merit Award)
Delaware Center For The Contemporary Arts, (displayed in the bank vault) 1988 . Wilmington, DE
“Abstract Art at City Hall” 1987. Institute of Contemporary Art, College of Philadelphia, PA.
“American (BAD) Dream: Artists views on poverty” 1987. Lawrence / Rosemont Gallery, Rosemont, Pa.
Window Display of Clay Figures. “Chernobyl: The Noble Savage & other sculpture” Clay Studio, 1987 Philadelphia, Pa.
“Sale’s Gallery / Fall Exhibit of Work by Local Artists” 1987. Philadelphia Museum of Art, Philly, PA
“Herland III, Women’s Art” 1987. Oswego Art Guild, NY.
“Festival Of Alternatives In Art” 1982. (Wareable Sculpture) SUNY-Binghamton, NY
AWARDS
2001 Belize Audubon Society. Belize, Central America. Paid Internship to design & build an education exhibit about bird migration.
1996 Special Commendation Award for Work & Instruction with the Cambodian Community. Alameda Board of Supervisors. Oakland, CA
1992 Merit Award for Sculpture, California State Fair, Sacramento, CA
1989 Barbara Deming Memorial Fund, Brooklyn, NY. For Women Artists: Sculpture.
1987 Rodin Museum, Philadelphia, PA Special Handling Permit awarded to directly work from Rodin’s clay maquettes & bronzes on site. Permission to copy by drawings & modeling small clay pieces. Permission to enter one hour before museum opens working through morning hours.
1987 One Year Artist In Resident Fellowship. Sponsored by the Franklin Mint, Philadelphia, PA
Works of art are a vital part of culture. Like bubbles touching & forming interlocking spheres shades of new colors are illuminated. We become engaged through our experience in a unique way.
Why Pollinator Gardens?
Pollinator gardens are incredibly beautiful. A perfect place to cultivate art within nature. Also important to note our foo
Works of art are a vital part of culture. Like bubbles touching & forming interlocking spheres shades of new colors are illuminated. We become engaged through our experience in a unique way.
Why Pollinator Gardens?
Pollinator gardens are incredibly beautiful. A perfect place to cultivate art within nature. Also important to note our food supply, surrounding landscape & the human race would not survive without our pollinators. The interaction of the hummingbirds, bats, bees, moths, wasps, butterflies & other little critters with pollinator plants are essential for our local ecosystem & food chain. Without them we die. But it's not enough to just survive. We desperately need cultivate art to pay attention to our own life that we are living.
I feel it’s imperative that children begin drawing using a method that teaches accurate observation, so I try to pass-on what I was taught, my knowledge with drawing & working in the field.
By permission only- If interested contact me via contact page. Native Americans are encouraged to come.
Yampa Path / Sherburn LaBelle
Yampa Studio ~ PO Box 73, Fort Bidwell, CA 96112 / United States / Fairfax Studio ~ Fairfax, Ca 94930
Copyright © 2024 Yampa Path / Sherburn LaBelle - All Rights Reserved.
Please contact me via my contact page.
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